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“He plays you like an instrument, faster, slower, louder, screaming, whispering, and he never tells you what it is about,” says Baryshnikov, who has also signed on to collaborate with Wilson on a piece about the legendary dancer Vaslav Nijinsky. “He digs into you, and he’s very demanding. He drives himself crazy, and sometimes he drives everyone else crazy, but it is so worth it. He’s fearless.”. It’s a surreal theatrical collage that sometimes seems to evoke the nightmare of living under a fascistic regime. Although known for his children’s stories, Kharms was drawn to absurdist parables. In “The Old Woman,” he wrote about the horror of starvation — haunting, given that he died of that cause later in a Soviet prison.

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“Hello Gorgeous! Barbra Streisand Holiday Show”: Created and performed by Rebecca Clark; 3 p.m. Dec. 17; Montgomery Theater, San Jose; $39.$49; sanjosetheaters.org. Windham Hill Winter Solstice Concert: Featuring Windham Hill founder Will Ackerman with Barbara Higbie and Alex De Grassi; 8 p.m. Dec. 16 at Freight & Salvage, Berkeley; $40-$44; 510-644-2020, thefreight.org; 3 and 7 p.m. Dec. 17 at Montalvo Arts Center, Saratoga; $50-$56; montalvoarts.org. Lindsey Stirling: The famed violinist and dancer presents a holiday concert; 8 p.m. Dec. 20; City National Civic, San Jose; sold out, check website for late tickets; sanjosetheaters.org.

“In order to complete a well-rounded dance program, we need to offer a world dance course,” Nguyen said, “This course would promote and encourage knowledge and cross-cultural understanding, “To me, the ‘D in Dance’ in my title represents diversity, Our holiday dance concert presents a bit of diversity through performance, and I want to thank Dr, Duncan Graham, vice president of instruction at ballet shoes nail polish College of Alameda and Dr, Jose Ortiz, chancellor of Peralta Colleges, for their continued support of arts education,” Nguyen added..

Eminem may shout out his underground bona fides on the new album’s “Legacy,” but he’s as responsible as anyone for the mainstreaming of hip-hop. The first “Marshall Mathers LP” transcended genre. It was wincingly profane, emotionally unnerving and captured the millennial zeitgeist. As Eminem put it: The underground spun around and did a 360. You could use the same phrase to describe M.I.A. flipping off 111 million viewers during the 2012 Super Bowl halftime show. The act earned her a $1.5 million lawsuit from the NFL. A response comes on “Matangi’s” “Boom Skit,” in which she assails those angry that she tried to “steal Madonna’s crown.” Her politics are muddled, but the message is clear: neither truffle fries nor television time mitigate her desire to savage those “who don’t get our underground.”.