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A master of dance improvisation, Tsimbrovsky is known for creating symbolically laden structures for movement, and “The Book” provides her with the richest array of collaborators yet. Each performance constitutes a single page and features a fascinating combination of artists. With paper festooned throughout the gallery and Puyandaev’s live painting in response to the dance, music and audience, the gallery becomes an immersive environment. After a free opening reception July 1 featuring guest artist Carol Swann, “The Book” opens for action July 7 with guest artists Ken Ueno and Matt Ingalls and runs Thursdays through July 21, closing with a free reception July 29.

Russia has ballet leotards energetics always loomed large in the imagination, probably never more than during the Cold War, when it was the Evil Empire whose communist leaders projected a desire for world domination, These days, anyone following the news has to wonder if we’ve entered Cold War 2.0. In addition to seeing Vladimir Putin’s steely-eyed designs on territory, we’ve read about cyber-hackers trying to influence our election and shadowy operatives allegedly trying to blackmail our government officials or kill off journalists and diplomats, Watching the acclaimed FX series “The Americans,” about a couple of KGB spies posed as an American couple in the early ’80s, piques our interest even more..

One of the smartest moves the ballet made may have been making a public appeal over its fate, instead of slipping away quietly. “The Rep went under without a word, which upset a lot of people,” said Andrew Bales, head of Symphony Silicon Valley. “The ballet made some noise and gave people a chance to have their say.”. Of course, this could be just a temporary reprieve. Ballet leaders must stay on their toes because there is another deadline looming. Company officials say they will need to raise $3.5 million by October to restructure the company’s business model and re-brand itself as Silicon Valley Ballet. The troupe, now led by ballet hotshot Jose Manuel Carreno, wants to raise its profile and reach out to a wider geographic audience.

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The Lieutenant of Inishmore: San Jose Stage Company presents Martin McDonagh’s satirical​ comedy about “Mad Padraic,” an Irish Liberation officer whose methods test the limits of violence within the organization, and his quest for revenge after receiving threatening news regarding his beloved cat “Wee Thomas.” Through Oct. 21. The Stage, 490 S. First St. $32-$72. 408-283-7142, thestage.org. God of Carnage: In a stylish Brooklyn apartment, two sets of parents meet for a talk about a playground fight between their children, and it doesn’t take long for the gloves to come off. This sharp comedy won the 2009 Tony Award for Best Play. Through Oct. 4. City Lights Theater, 529 S. Second St. $19-$42. Cltc.org,408-295-4200.